Robert Bloch
Created: February 2017 | Updated:

This article uses material from the Robert Bloch article on the Lovecraft wiki at Fandom and is licensed under the Creative Commons Attribution-Share Alike License.

Overview

Robert Albert Bloch (April 5 1917, Chicago – September 23 1994, Los Angeles) was a prolific American writer. He was the son of Raphael "Ray" Bloch (1884, Chicago-1952, Chicago), a bank cashier, and his wife Stella Loeb (1880, Attica, Indiana-1944, Milwaukee, WI), a social worker, both of German-Jewish descent.

Early writing career

During the 1930s, Bloch was an avid reader of the pulp magazine Weird Tales. H. P. Lovecraft, a frequent contributor to that magazine, became one of his favorite writers. As a teenager, Bloch befriended and corresponded with Lovecraft, who gave the promising youngster advice on his own fiction-writing efforts. Bloch's first professional sales, at the age of just seventeen, were to Weird Tales with the short stories "The Feast in the Abbey" and "The Secret in the Tomb". Bloch's early stories were strongly influenced by Lovecraft, and a number of his stories were set in, and extended, the world of Lovecraft's Cthulhu Mythos. It was Bloch who invented, for example, the oft-cited Mythos texts De Vermis Mysteriis and Cultes des Goules.

The young Bloch even appears, thinly disguised, as the character "Robert Blake" in Lovecraft's story "The Haunter of the Dark", which is dedicated to Bloch. In this story, Lovecraft kills off the Bloch character, repaying a courtesy Bloch paid Lovecraft with his tale "The Shambler from the Stars", in which the Lovecraft-inspired figure dies; the story goes so far as to use Bloch's then-current street address in Milwaukee. (Bloch even had a signed certificate from Lovecraft [and some of his creations] giving Bloch permission to kill Lovecraft off in a story.) Bloch later wrote a third tale, "The Shadow From the Steeple", picking up where "The Haunter of the Dark" finished.

After Lovecraft's death in 1937, Bloch continued writing for Weird Tales, where he became one of its most popular authors. He also began contributing to other pulps, such as the science fiction magazine Amazing Stories. He gradually evolved away from Lovecraftian imitations towards a unique style of his own. One of the first distinctly "Blochian" stories was "Yours Truly, Jack the Ripper", which was published in Weird Tales in 1943. The story was Bloch's take on the Jack the Ripper legend, and was filled out with more genuine factual details of the case than many other fictional treatments. Bloch followed up this story with a number of others in a similar vein dealing with half-historic, half-legendary figures such as the Man in the Iron Mask ("Iron Mask", 1944), the Marquis de Sade ("The Skull of the Marquis de Sade", 1945) and Lizzie Borden ("Lizzie Borden Took an Axe...", 1946).

Politics

In 1939, Bloch was contacted by James Doolittle, who was managing the campaign for a little-known assistant attorney in Milwaukee, Wisconsin named Carl Zeidler. He was asked to work on his speechwriting, advertising, and photo ops, in collaboration with Harold Gauer. They created elaborate campaign shows; in Bloch's 1993 autobiography, Once Around the Bloch, he gives an inside account of the campaign, and the innovations he and Gauer came up with — for instance, the original releasing-balloons-from-the-ceiling shtick. He comments bitterly on how, after Zeidler's victory, they were ignored and not even paid their promised salaries. He ends the story with a wryly philosophical point:

Psycho and screenwriting

Bloch became most famous as the author of the novel Psycho, which was adapted by Joseph Stefano into the screenplay for the film of the same name, directed by Alfred Hitchcock. His best-known work as a screenwriter is probably The Night Walker (1964), which he wrote for William Castle, although he also penned several scripts for the original series of Star Trek; he seemed happiest, among his television work, with his contributions to the Boris Karloff-hosted series Thriller.

Bloch also contributed to Harlan Ellison's science fiction anthology, Dangerous Visions. His story, "A Toy for Juliette", evoked both the Marquis de Sade and Jack the Ripper. In fact, Ellison's own contribution to the anthology was a direct follow-up of Bloch's, and was titled "The Prowler in the City at the Edge of the World".

Bloch died in 1994. He was cremated and interred in the Room of Prayer columbarium at Westwood Village Memorial Park Cemetery in Los Angeles.

Writings on Bloch

There is an essay on his work, with particular reference to the novels Psycho and The Scarf, in S. T. Joshi's book The Modern Weird Tale (2001). Joshi examines Bloch's literary relationship with Lovecraft in a further essay in The Evolution of the Weird Tale (2004).

In addition, Randall D. Larson has authored three reference books about Robert Bloch: The Robert Bloch Reader's Guide (1986, a literary analysis of Bloch's entire output through 1986), The Complete Robert Bloch (1986, an illustrated bibliography of Bloch's writing), and The Robert Bloch Companion (1986, collected interviews).

A compilation of Bloch's Cthulhu Mythos fiction, titled Mysteries of the Worm, was published by Chaosium with commentary by Robert M. Price.